The Commission Process for Customized
Window To inquire about an
item presented on this site or other custom design you would like to
commission, contact my studio noting its name or number and the dimensions in which you
would like the item to be constructed. Please provide your
phone number along with days and hours in which I may contact you to
arrange a free consultation. Whether
you are located in Minneapolis or elsewhere, I have found the internet to be
extremely useful in working with clients. For example, I have worked
with a lady in England who had me do a panel for her father in Arizona.
Thanks to the magic of the internet, I'm able to work with a client anywhere
in the world as easily as I am able to work with a client right here in
Minneapolis.
All work is custom, made to order,
and meticulously created to your complete specifications. Much of the design work is done through email and
a personalized "client page". Click
here to view a client page. Among
its numerous benefits, this unique presentation provides design
options from which you may easily choose the final design.
It then acts as a venue through which you may follow the process
and status of the project through its completion.
In order to better familiarize yourself with stained
glass terms used in the process of its creation, you may review them by
clicking here.
The Process
The Groundwork Phase
 | Setting up the first meeting may be done in person, over the telephone, through the exchange of e-mail or even in a chat session over the internet.
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If you are located within 50 miles of
Minneapolis, I will personally visit your home or business
where you want the project to be displayed, and will call you to arrange a convenient appointment
time for this free consultation.
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The on-site consultation begins with a review of the location for the project to be
hung or installed, with measurements documented for the opening which is to receive the piece. |
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Framing is discussed
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Windows made for
installation are framed in zinc. |
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Free-hanging windows are
also framed in zinc. If you want your finished
window to be framed in wood, this is discussed and noted. |
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Theme, style, and colors for
the project are discussed and noted. |
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Pattern books are presented,
lending a visual to options in selecting a basic pattern
layout. |
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Deadline or finish date for completion is noted. |
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If you are located outside of
Minneapolis area,
I will call you to discuss a convenient time for a free
consultation.
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The off-site consultation
begins with a discussion of the location for the project to be
hung or installed |
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If the window is free hanging,
dimensions are discussed and noted. |
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If the window is to be
installed, specific directions will be giving for measuring
the opening which is to receive the piece. |
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Framing is discussed
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Windows made for
installation are framed in zinc. |
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Free-hanging windows are
also framed in zinc. If you want your finished
window to be framed in wood, this is discussed and noted. |
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Theme, style, and colors for
the project are discussed and noted.
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Very helpful in this
process is a photograph taken of the area where the window
is to be displayed. |
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Deadline or finish date for
completion is noted. |
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The Design Phase - Designed and created with your needs, interests, and tastes in
mind.
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Determine the basic design
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Having an idea of the pattern desired,
and colors, if possible, will reduce design time fees. If you have an idea of what you want or you select a pre-existing pattern (versus us creating a completely custom one for you) the design fees may only be 1-2 hours.
When developing the initial design concept, the best design can be
produced by incorporating the ideas from your input. This can include:
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Motifs from fabric samples or wallpaper swatches. |
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You can verbalize a description, put a description into a text document, sketch something up, take a photo, find something similar,
or offer a picture from a magazine or from the internet. |
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Other sources from which a design
may be selected are:
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Wide variety of design books
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Thousands of pre-designed patterns available from many different
companies. |
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We can scan pictures and designs and transfer them to your computer for review |
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A CD containing a number of
design varieties is available to out of town clients for
review. |
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Foil or lead, or a combination of
both, is discussed.
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The copper foil technique, method made
popular by L.C. Tiffany at the turn of the century, involves
wrapping the pieces of glass with copper foil and soldering
them together along the length of the seams.
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Copper foil can be used as an alternative
to lead in any instance at the personal preference of the
user. It is much stronger than lead when soldered, needs
no putty, is waterproof, and allows you to do intricately
detailed projects where the bulky look and weight of lead
would detract from the aesthetics of a delicate design. |
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The process of interlocking and assembling
pieces of glass together using lead came is called
"leading". |
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Reinforcement needs are considered
and discussed.
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A general rule of thumb is to
reinforce panels over three square feet. The pattern is
marked for placement of reinforcing bars or strip as reminders
of their location during cutting and construction. |
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Reinforcing should be added
horizontally approximately every 12 to 18 inches to keep the
window from sagging or buckling from the pull of
gravity. |
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Options for incorporating bevels,
bevel clusters, specifically textured glass, rondels, nuggets,
jewels, agates, crystals, shells or polished stones into the
design are discussed. |
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Design Fees:
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I can translate most photographs,
pictures and even customers' sketches into workable stained glass
panel patterns. |
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Graphic design services for custom patterns: $35 per hour (minimum 1 hour; average 3-5 hours) |
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If you are looking at a completely custom window over 3 foot square, expect a design fee of approx. $100 - $250 - depending on the number of design hours and the number of changes. |
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Complete preliminary drawings
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The design will be generated or transferred into a special software program made special for the stained glass industry. This will allow us to put your selected glass colors into the design and generate a .jpg file to e-mail to you or print out for you to review. |
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A "client page" is created at this
point in order to begin an easier review of design options.
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Glass Selection - Once a design has been arrived at, it is time to begin the glass selection process.
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Glass colors and textures can be chosen from
a wide range of choices, depending on what seems most
appropriate for the design. Glass
is carefully selected for maximum brilliance, transmission of
light, and markings (streaks and blends). |
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Clicking this Glass
Selection link will allow you to view major glass manufacturing
companies that provide you with all of the glass possibilities for glass
types and colors selection . |
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Fine tuning of the design
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Adjustments are made to
customer's specifications, refining pattern to final design. |
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Preparation is made to
finalize customer design proposal.
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Using the types of glass and size of the project I will calculate the cost and come up with a quote |
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Finalize design
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Several design options are presented for final approval, along with sample glass pieces indicative of the colors and textures. |
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Once it is approved, we request a 50% deposit
before production begins. |
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The Production Phase
- Each step of the production phase is documented on the Client Page
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Glass is ordered. |
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A duplicate pattern is made to use during assembly. |
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Pattern pieces are numbered and cut.
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Specialized pattern cutting scissors are used
specific to either foil or lead construction. |
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Cut pattern pieces are strategically placed over
glass, with special consideration as to the piece color and direction
of the glass (if other than a solid color) so that the final
color lines and shadows of the project flow in perspective
to each other throughout the piece. |
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Glass is cut.
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The rough glass edges are ground smooth using a
spinning diamond bit glass grinder. |
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Assembly
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If your panel is leaded,
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The zinc border is measured to specification
of the design dimensions in preparation for window assembly. |
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Before lead came is used, it is
"stretched". Stretching removes the kinks,
straightens the lead, and makes it more rigid. |
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Each glass piece is placed within the window
design. The lead is cut to fit precisely around
each piece of glass. As the pieces of glass and lead are
fitted together they are held temporarily with horseshoe nails
until the whole panel is assembled and soldering can begin. |
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All the joints between the pieces of lead and
the points where they connect to the zinc frame are scrubbed
with a wire brush to remove oxidation. They are then
fluxed and soldered on the front side. The
panel is then turned over this procedure
is repeated on the reverse side. |
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At this time, any reinforcement issues would
be addressed, if necessary.
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A general rule of thumb is to reinforce
panels over three square feet. The pattern is marked
for placement of reinforcing
bars as reminders of their location during cutting and
construction. |
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Reinforcing should be added horizontally
approximately every 12 to 18 inches to keep the window
from sagging or buckling from the pull of
gravity.
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After regular soldering is completed,
the reinforcing bar is mounted as one continuous pieces
from left side to the right. The bar is soldered
directly to the back of the window to all of the seams
or joints that it passes over. |
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The bar is preheated at the point
where it will be soldered to the seam to help the
solder form a good bond with the bar; then
solder directly to the seam on the panel. |
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It is also soldered to the edging
around the window. If the window will be
inserted into a wooden frame, the back of the
frame is notched so that the reinforcing bar will fit
into it. This will also add extra support to the
window. |
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The next process of applying cement or putty
is necessary in lead came constructions in order to secure the
glass in the channels and prevent them from rattling, making
the panel more sturdy. This process also weather proofs
the panel.
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Cement is thoroughly mixed. |
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Using a natural bristle brush, the cement
is forced under the faces of the cames, working
perpendicular to them. |
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The process is repeated on the other
side, making sure the cement is worked under all cames and
edging. |
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Whiting powder is sprinkled over the
entire panel. Whiting is used
to absorb and remove excess cement and start the curing
process. |
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Using a natural bristle brush, the
whiting is rubbed over the entire panel, working parallel
to the came. This will remove
excess cement and clean the panel. |
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This process is repeated on the other
side, using a fid to clean cement from the corners. |
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The panel is allowed to dry flat for 24
to 48 hours, checking for cement that may have seeped out
and remove with the fid. |
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The panel receives its final scrub, trim
and clean up.
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Brushing the lead came with a bristle
brush gives it a lovely natural dark grey patina.
However, if a black finish is preferred then a
chemical patina can be applied to achieve this. |
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If your panel is foiled,
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Each ground piece of glass is thoroughly
washed and dried in order to prepare the edges for proper
adhesion when wrapping it with the copper foil strips. |
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The edges of each glass
piece is wrapped with copper foil. This adhesive-backed
metallic tape acts as the connection medium when soldering the
pieces of the panel together. The foil is crimped and
burnished flat onto the glass edges with a lathekin. |
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The foiled glass pieces are laid
out over the assembly pattern, squared, & held in place by
pins on a homosote board.
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At this time, any reinforcement issues
would be addressed, if necessary.
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A general rule of thumb is to
reinforce panels over three square feet. The
pattern is marked for placement of reinforcing
strips as reminders of their location during cutting
and construction. |
 |
Reinforcing
should be added horizontally approximately every
12 to 18 inches to keep the window from sagging or
buckling from the pull of gravity. |
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Once all of the pieces are in place and the
panel is squared to the specification of the design
dimensions, flux is applied to connection points throughout
the panel and the panel is "tack soldered."
This is a process where I melt just enough solder onto each
joint to hold the pieces firmly together so that they will not
slip or slide apart during the soldering process. |
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Flux is then applied to the seams and the
entire front of the panel is soldered. The final
soldering step is called "beading." This
process involves building up the solder to a uniformly rounded
bead along all the seams. |
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The panel is turned over and all of the seams
are soldered on its reverse side, incorporating the
"beading" as on the front side. |
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The panel is then framed with zinc. |
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The entire work is thoroughly cleaned, free of
soldering and flux residues. |
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Solder and lead change color naturally over time.
My studio typically will give your panel a more
"weathered" appearance by applying a dark patina finish
over the solder lines and zinc frame. |
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The final step is to carefully clean the entire
piece, then add a sparkling high gloss polish to seal everything
and make the piece shine.
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Finishing
compounds (or wax) are the final step to completing your
stained glass project. They polish the glass and solder while
helping to prevent oxidation. |
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Hanging Panels
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If you are not going to add an additional
wood frame to your panel, solid
brass hangers will be inserted into the upper corners of your
panel and securely soldered into place. |
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If your panel is to be framed in wood, the frame
will be added at this time.
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